WHO IS IT?

A portrait about a young fashion designer

After various trainings in Art, Fashion Design in France and abroad, with a memorable passage in CARLIN, where the first signs of a talent become loomed, Fanny JOLY has freshly finished his career with obtaining the second prize in the section designer and model maker in school LISAA in Paris.

BUT WHAT WAS THE TOPIC?

As the story goes with emotion Fanny, the subject of his degree is a tribute to his uncle who unfortunately recently deceased, enabled him financially to help realize this collection, a very nice project.

IT THERE ANY CONCEPT OR INSPIRATIONS?

Yes I’m supported on the MOS formula that allows you to scientifically determine its area of skin, which I’ve used thereafter for model a part of each silhouettes and without generating falls. This generator concept of forms was for me as a memory presence.

But compared to this very conceptual approach, I feel you’ve brought other things, other closest influences of your universe?

WHAT WERE YOUR INSPIRATIONS?

Actually I wanted to get my inspiration in the world of HIP HOP to its details and its contents sportswear (ripstop, mesh) and add a touch of elegance and sensuality as can evoke it the style of the femme fatale in the cinema of the 1920s to 50 (fringe, FishNet, wide-brimmed hat…)

DO YOU HAVE REFERENCES?

For this collection my references are quite heterogeneous they go through the heightened feminte of actresses of black movies: Rita Yaworth, vivien Leigh, marlene Dietrich, loretta Young.. .in style sportswear testosterone of the rappers of the 1990s like Tupac, Notorious Big, or NWA.

While keeping this idea of diversity of genres that I like for example at Palomo Spain, Yezzy or Hood By Air.

WHAT MODEL OR SILHOUETTE BEST EVOKE THESE UNEXPECTED ASSOCIATIONS?

The look 1 well embodies this mix of universe.

The top of the dress is inspired by the Jersey of the quarterback with these exaggerated shoulders, all accomplished in a ripstop cut laser evoking an oval mesh Football Jersey. Everything is balanced by an accessory halter-top holding: a hat inspired by the small worn by Ava Gardner in working the material to create fringes close to those of a dress of black film actress: Vivien Leigh.

The look 5 is also a good example.

The inspiration comes from the sweat of sportswear from the locker room of Hip Hop, but reinterpreted in a more feminine way with an oversize bow imagined after knotting of a Rita Hayworth dress in a 1946 movie. The layered coated canvas dress underneath was conducted in laser cutting, picking up a net of net of basketball, but in a slender cut to the Audrey Hepburn.

IF THERE IS ONE WORD TO DESCRIBE THIS COLLECTION, YOU SHOULD WANT TO SAY WHAT?

Finally through this mix, it remains for me without membership of genres, I want to call this collection of GENDERFLUID, because she plays with indentitaires codes but that is for any sex, without borders between the 2.

IF THERE IS ONE WORD TO DESCRIBE THIS COLLECTION, YOU SHOULD WANT TO SAY WHAT?

Finally through this mix, it remains for me without membership of genres, I want to call this collection of GENDERFLUID, because she plays with indentitaires codes but that is for any sex, without borders between the 2.

Claire remy
Head Designer Women’s RTW

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